Hanna Diyab, born in Aleppo in the late 17th century, was a Syrian storyteller whose imagination shaped some of the most famous tales in world literature—including Aladdin and Ali Baba. Yet for centuries, his name was erased from these stories. When Diyab recounted his tales to the French orientalist Antoine Galland in Paris, they were published as part of Les Mille et Une Nuits (One Thousand and One Nights)—but without crediting him. His life reflects a larger story: how the West often consumed and reshaped Eastern stories through an exoticizing lens, turning complex local narratives into simplified “Oriental fantasies”. Reclaiming Diyab’s story is not just about giving credit—it’s about re-centering voices, challenging orientalist storytelling, and understanding what it means when your story is told for you, rather than by you.

Once the guardian of Palmyra’s majestic ruins, Khaled Al-Asaad paid the ultimate price for refusing to betray the ancient city he loved. A towering figure in Syrian archaeology, Al-Asaad spent over 40 years unearthing Palmyra’s secrets, bringing global recognition to its history through his mastery of ancient languages and collaboration with international scholars. When ISIS overran the city in 2015, he hoped his presence might shield its soul. Instead, he was tortured and executed, a martyr to cultural memory. His story is a stark reminder that, in Syria, history itself has become a battleground. Amid ongoing looting and destruction, preserving heritage is no longer symbolic; it is survival.

Dayfa Khatun ruled Aleppo (1236-1242) at a time of political upheaval, navigating complex power dynamics and preserving the city’s stability. As a Kurdish princess from the Ayyubid dynasty, she navigated the complex political landscape of the time, using diplomacy and strategic alliances to maintain the city’s independence while avoiding costly military conflicts. Her leadership was instrumental in ensuring Aleppo’s stability and prosperity. Dayfa Khatun also made significant contributions to the city's cultural and architectural development, commissioning important schools and fortifications. Her reign challenges the commonly held belief that medieval Islamic politics was exclusive to men and underscores the longstanding presence of Kurds in Syria, who have been an integral part of its history for centuries. Dayfa's legacy reminds us of the crucial contributions women played in shaping the history of their time, despite being largely overlooked in historical narratives.

Syrian dubbing wasn’t just a tool for dialogue, but an entire art that added a new soul for international works. Due to the professional acting, the fluent Arabic spoken, and the careful attention to lip syncing and cultural adaptation, Syrian dubbing became an identifying feature of the Arab entertainment industry. Its voices are still ingrained in the memories of generations, bearing witness to a golden age of creativity in vocal works.

Syrian artists like Marwan Barakat remind us of the cultural and social wealth that Syrians have to offer to the world, and inspire us to express ourselves and our talents, and to pursue our dreams, leaving a lasting legacy for us and for Syria.

Get to know the Toronto-based Syrian award-winning musician, voice actor, and composer Layal Watfeh

Syria is home to a diverse and rich mosaic of cultures, and among them are the Circassians, an ethnic group from the Northern Caucasus region. Circassians have a tragic history of genocide and displacement, a history which led many of them to Syria. Despite this, they have a reputation for their regal demeanor owing to their pride in their unique heritage of resistance and deep relationship with their homeland. This is a brief look into their story in Syria.

These remarkable Syrians in Europe embody resilience, creativity, and activism. Let's celebrate their contributions and recognize the richness that diversity brings to our shared European tapestry.

Armenian identity is greatly impacted by a deep wound. Today, we celebrate their presence, perseverance and legacy in Syria, and we also acknowledge that many Armenians have become refugees once more, fleeing and leaving behind traces of an identity that has become an inseparable part of Syria. Here, we briefly relay their story as emblems of resilience and cultural preservation that we, as Syrians, need. Due to past experiences, Armenians hold onto their culture and language firmly. In the diaspora, some formed quite exclusive social milieus. Despite this, Armenians in Syria were renowned for the extent of their assimilation as well as their fondness for the country and identification with it, unlike Armenian communities in other, primarily Arab, nations. Several reports about Armenian Syrians returning to Armenia as a result of the war in Syria, spoke about the extent of their struggle to blend into their homeland, as well as their efforts to preserve their ways of life (primarily) from Aleppo.

Discover the majesty of Khan Asaad Pasha, the largest caravanserai in Old Damascus. Built in 1751 and declared a historical landmark in 1973, this architectural marvel has undergone significant reconstruction, holding centuries of history within its walls. Today, the Khan serves as a vibrant cultural center in Damascus. Visitors are invited to explore its historical significance, peruse traditional crafts, and revel in cultural performances. The Khan provides an immersive experience where visitors can deeply connect with the rich heritage of Damascus and Syria.

I have always wanted to do this: get in my car, call my friends, pick them up, and hit the road. “Where do you wanna go?” I want to ask,

Walking along its narrow, branching and ascending staircases, Al-Muhajireen is a unique Damascene neighborhood unlike any other. Its history stretches back to 1899 when Nazim Pasha, Damascus’ Ottoman governor at the time, decided to settle Muslims from the Greek island of Crete who immigrated as a result of sectarian violence on the island. Over time, the neighborhood developed into a blend of immigrants of various ethnic groups, mostly from the Balkans and Circassia (southwest Russia). Al-Muhajireen gained further importance after Nazim Pasha built Al-Muhajireen Palace, which later became the residence of Syria’s first elected president, Muhammad al Abid, who decided during his tenure in office (1932-1936) to build a tramway line that connected the center of Damascus to Al-Muhajireen. Overlooking the city of Damascus on Mount Qasioun, Al-Muhajireen is a mesmerizing neighborhood for locals.